![]() ![]() ![]() When A Square, the didactic narrator of Edwin Abbott’s Flatland (1884), imagines in his mind’s eye the haunting vision of a Cube transformed into a hypercube, the description of his ravished bewonderment anticipates the real-world response to cinema, which would be invented within the next two decades. ![]() There, before my ravished eye, a Cube, moving in some altogether new direction . . . so as to make every particle of his interior pass through a new kind of Space, with a wake of its own-shall create a still more perfect perfection than himself.
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